A typical slab serif font is Rockwell, which belongs to the Neo-grotesque slab serif, featuring serifs unbracketed and identical to the horizontal strokes of letters in weight. Though there are slight differences for different slab serif fonts, they all appear bold, eye-catching and they are most frequently seen in the large headlines, advertisements and logos. Generally, Clarendon fonts have some bracketing and some contrast in size in its serif Neo-grotesque fonts have no bracketing and have evenly weighted stems and serifs Italienne fonts have serifs that are heavier than the stems and Typewriter fonts has a fixed width for all letters. While most slab serif fonts have no bracket that connecting the strokes and the serifs, some do have.Īccording to the serif thickness and bracketing features, slab serif fonts can be categorized into four groups, namely, Clarendon, Neo-grotesque, Italienne and Typewriter.
For slab serif fonts, serif terminals can be blunt, angular or rounded and also serif thickness in contrast to that of stems may vary for different fonts. Many of these are so-called Western saloon or wanted poster fonts.Slab serif fonts are fonts with thick, block-like serifs.
Massive Display Examples: Dark and heavy, this group includes Aachen, Linotype Authentic, Figaro, Jeunesse Slab, ITC Lubalin Graph, Neo Contact, Old Town No 536, Playbill, Princetoiwn, Retro Bold, Wanted, Waterloo Bold, Westside. Others: Candida, Courier, Epokha, ITC Magnifico, Rockwell, Venus Egyptienne. Standard-Bearers: Started by Memphis (1929, Rudolf Wolf) and Beton (Heinrich Jost), and followed by the sixties typeface Glypha (Frutiger). Others: Apollo, Breughel (1982, Adrian Frutiger), ITC Century, New Century Schoolbook, Joanna, Linoletter, Nimrod, Linotype Really (1999, Gary Munch), Perrywood and Scotch (surely, the latter is a mistake). Classic Text Faces: Newspaper types like Excelsior, Impressum and Ionic, or solid slab serifs like Memphis, Egyptian 505 (by Gürtler) and Egyptienne F (by Frutiger). Contemporary Text Faces: PMN Caecilia (by Dutch typeface designer Peter Matthias Noordzij) starts off this list, followed by Diverda Serif, Aptifer Slab, Generis Slab, Amasis, Calvert, Chaparral, Compatil Letter, HoTom, ITC Officina Serif, Siseriff and Soho. Monotype, Adobe and Linotype each have their own Clarendon families. This font was used extensively by the school and its students, as well Read More. The font is characterized by its simple, geometric shapes and clean lines. It is one of the more refined slab serif typefaces. The Bauhaus font is a sans-serif typeface that was created by the Bauhaus school of design in the early 1920s. Clarendons: The first Clarendon was introduced in 1845 by R. A typical slab serif font is Rockwell, which belongs to the Neo-grotesque slab serif, featuring serifs unbracketed and identical to the horizontal strokes of. Slab serifs started in industrial England in the 19th century and are also called Egyptians. Its iconic angles, curves and ‘kicks’ make the Slab-serif an easy font to distinguish. Nowadays, if your brand is looking for something with a pinch of quirkiness, then a Slab-serif might be what you need. 
They were used in early illustrative and woodblock advertising and have been popular since. Whereas slab serif is the name of the general category, there are subgroupings within this typeface that draw attention to the variety and individuality of the slab fonts. Linotype piece on slab serif typefaces, with its own classification into Clarendons, Contemporary Text Faces, Classic Text Faces, Standard-Bearers, and Massive Display Examples. Slab-serif fonts started emerging in the 1800s. Think of slabs as a font family that has subsets of unique styles that together make up the entirety of this typeface. TYPE DESIGN INFORMATION PAGE last updated on
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